In the void explores the overwhelming vastness of public spaces like Grand Central Station, New York City, during rush hour. The traces of figures rendered on the ground amass, expand and retract, passing through the lens in a kaleidoscope of fleeting shadows. The camera plays in the shadows with anonymous strangers who seem both present and absent, absorbed by their own inner dialogues. They appear in the blink of an eye, their shapes registered between reality and perception. Emptiness and nothingness are embraced in a visual contemplation of the self, prompted by the surrounding spacial effects in the images. Landscapes of shade cut a path across the photograph. They record the past, yet appear present, while surging towards an unseen future.