Being here

Titel Being here 1
Year 2011
Size 30 x 30 cm50 x 50 cm, Inkjet pigment prints on 100% cotton Fineart paper
Edition 3, 2 AP
Titel Being here 2
Year 2011
Size 30 x 30 cm50 x 50 cm, Inkjet pigment prints on 100% cotton Fineart paper
Edition 3, 2 AP
Titel Being here 3
Year 2011
Size 30 x 30 cm50 x 50 cm, Inkjet pigment prints on 100% cotton Fineart paper
Edition 3, 2 AP
Titel Being here 4
Year 2011
Size 30 x 30 cm50 x 50 cm, Inkjet pigment prints on 100% cotton Fineart paper
Edition 3, 2 AP
Titel Being here 5
Year 2011
Size 30 x 30 cm50 x 50 cm, Inkjet pigment prints on 100% cotton Fineart paper
Edition 3, 2 AP
Titel Being here 6
Year 2011
Size 30 x 30 cm50 x 50 cm, Inkjet pigment prints on 100% cotton Fineart paper
Edition 3, 2 AP
Titel Being here 7
Year 2011
Size 30 x 30 cm50 x 50 cm, Inkjet pigment prints on 100% cotton Fineart paper
Edition 3, 2 AP
Titel Being here 8
Year 2011
Size 30 x 30 cm50 x 50 cm, Inkjet pigment prints on 100% cotton Fineart paper
Edition 3, 2 AP
Titel Being here 9
Year 2011
Size 30 x 30 cm50 x 50 cm, Inkjet pigment prints on 100% cotton Fineart paper
Edition 3, 2 AP
Titel Being here 10
Year 2011
Size 30 x 30 cm50 x 50 cm, Inkjet pigment prints on 100% cotton Fineart paper
Edition 3, 2 AP
Titel Being here 11
Year 2011
Size 30 x 30 cm50 x 50 cm, Inkjet pigment prints on 100% cotton Fineart paper
Edition 3, 2 AP
Titel Being here 12
Year 2011
Size 30 x 30 cm50 x 50 cm, Inkjet pigment prints on 100% cotton Fineart paper
Edition 3, 2 AP
Titel Being here 13
Year 2011
Size 30 x 30 cm50 x 50 cm, Inkjet pigment prints on 100% cotton Fineart paper
Edition 3, 2 AP
Titel Being here 14
Year 2011
Size 30 x 30 cm50 x 50 cm, Inkjet pigment prints on 100% cotton Fineart paper
Edition 3, 2 AP
Titel Being here 15
Year 2011
Size 30 x 30 cm50 x 50 cm, Inkjet pigment prints on 100% cotton Fineart paper
Edition 3, 2 AP

Being here

Growing up in the the landscapes of swiss agriculture we were inpregnated by nature and modern building construction sites. Architects and city planners are challenged : Birth-explosion, climate change and increasing shortage of resources, including social migrations forcing to revolutionize architecture, city- and environmental planning.

The old master builders knew about the secrets of plants, with their timeless laws, which have largely been lost with the acceleration of modernity. Intention in this project is a painterly approach through photography to capture the vital energy from different plants, suggesting the geometric patterns, operating as the same forces as in the cosmos, atoms or architectural structures. Plants as a microcosm representing the macrocosm.The Fibonacci sequence blends complex visual algorithms into seamless shapes with quantum fields of movement. Plants are here elevated as “transformative and sculptural abstractions” into the pure existence zone of everyday life and vice versa. It is an invitation to choose a more harmonious and sustainable way in a seemingly unrelenting globalization.